We took live-action footage across multiple locations and rebuilt the ones that didn't exist yet. Shot tracking across every scene. Clean keying with nothing left behind. Environments developed from concept, some built with CG, some with AI-generated backgrounds, designed to feel like they belong to the same physical world as the footage. From there, full compositing across all scenes: light consistent, depth grounded, every layer integrated until nothing looks added. We come into projects at the concept stage and stay until the final frame leaves our hands. The timeline is part of the work, not a separate problem.
We build full CG projects from the ground up. Products, environments, stylized worlds, large-scale films. The pipeline covers everything from the earliest look development decisions through modeling, animation, lighting, rendering and final compositing. For the Mukaab dome in Saudi Arabia we made an 8-minute CG film, a unified visual story of the country told across a large-scale projection surface. Three months. One consistent style. Technically adapted precisely for the format.
From the first treatment to the final grade, we stay in it, so the visual decisions are made with the whole picture in mind. Post-production covers editing, conform, cleanup, compositing and graphics, adapted across whatever formats and technical specs the project requires. When the work needs campaign key visuals to go with it, we build those alongside.
We love to develop creative concepts, campaign ideas, storytelling, storyboards, TVC treatments — and go as far into the communication system as the project needs. Key visuals, internal design, multi-format campaigns across TV, OLV and digital. We produce complete AI-driven films and use AI to move fast through the early stages: prototyping, testing directions before anything gets locked. What leaves our hands is production-ready and built to work across formats without needing to be rebuilt each time.